Introduction
From the 1960s to the 1990s, Donald Judd pioneered the use of industrial materials and commercial fabrication in the making of three-dimensional works of art. This creation of works in sheet metal, Plexiglas, and plywood demanded the adaptation of manufacturing practices to meet Judd’s aesthetic standards. Experienced artisans used specialized processing techniques and hand finishing to create surfaces according to narrow aesthetic specifications. This collaboration between artist and workshop resulted in a unique body of work that reflects a singular creative vision.
In 2005, Judd Foundation established the Advisory Committee for Conservation and Restoration (ACCR), bringing together experienced conservators and individuals with extensive knowledge of Judd’s working practices and the materials he used. Of utmost importance to the committee was sharing technical knowledge on proven maintenance and treatment practices that could prevent permanent damage to Judd works. Under the advisement of the committee, Judd Foundation began to delve into the Donald Judd Archive—a rich resource for fabrication records and correspondence—and conduct oral history interviews with fabricators and studio assistants to unearth factual details and first-hand accounts of the fabrication process.
Over the past two years, Eleonora Nagy, who is widely recognized as a leading conservator and published author on Judd works in metal, has undertaken new research to write the first section of the guidelines for the care and handling of Judd works. As the first publication for what will become a series of manuals for Judd works in various media, the guidelines are now available online as a research tool for conservators, collectors, museum professionals and all those who handle Judd works. A printed publication of the guidelines for works in metal—as well as new research into Judd works in wood—are now underway.
Guarding against damage is the single most important factor in the preservation of all Judd works. Accelerated deterioration, surface flaws and unnecessary restoration are all avoidable with proper storage, limited and skillful handling, and regular maintenance by trained personnel. Taking steps to reduce risk in the handling of Judd works can eliminate the need for repeated, labor-intensive and costly conservation treatments. By adopting basic maintenance practices that are appropriate for Judd works, the need for conservation should be minimal.